monochrome monday

City’s just a jungle; more games to play

Trapped in the heart of it, tryin' to get away

I was raised in the country, 

I been workin’ in the town

I been in trouble ever since I set my suitcase down

~ Bob Dylan

I don't typically take pictures of cars. Mostly, because I don't know how

to get a good shot of one.

But, this car.

It was a beauty.

Confirmed by the fact that everyone that walked by it - stopped. 

Walked around it.

And, pulled out their mobile devices to take a shot.

Including us.

I was initially captured by the interesting reflections.

There is even a little selfie in there.

I have no tips to provide on capturing this kind of subject.

I would gladly welcome any thoughts about shooting cars,

and more specifically, reflections on cars.

Keep shooting!

Stay out of trouble...unless it gets you the shot!

Fuji XT1 ISO 640 1/100 f/5.6 XF18-155mm (67mm EFL)

monochrome monday

Let the rain kiss you. 

Let the rain beat upon your head with silver liquid drops. 

Let the rain sing you a lullaby. 

~ Langston Hughes

Fuji XT1 ISO 250 1/100 f/4.5 XF18-155mm (67mm EFL)

monochrome monday

We must always change, renew, rejuvenate ourselves, otherwise we harden. 

~ Johann Wolfgang von Goethe

Introducing monochrome monday!

I've been processing many of my color images into black and white.

I think some images are stronger in monochrome,

as you can focus on the subject and not be distracted

by all the color...not that color is in any way bad.

Sometimes, you just want to create a no frills image.

Do you know what the above image is?

You might recognize this more easily.

I captured the above image in camera, rotated it, and processed it into black and white.

I like to rotate images like this.

It makes one think a bit about what they are really seeing.

Go out and tweak reality.

It's easy enough to revert to normal if you really want to!

Fuji XT1 ISO 400 f/6.4 1/100 sec XF18-55mm (48mm EFL)

destiny

As long as we are persistent in our pursuit of our deepest destiny, 

we will continue to grow. 

We cannot choose the day or time when we will fully bloom. 

It happens in its own time. 

~ Denis Waitley

I had a vision when I saw this tulip.

I wanted to isolate the bloom and the leaf on the left from the

remainder of the image. I didn't have a macro lens with me and figured

I would have to do some creative cropping.

In post, I played around with NIK Silver Efex Pro2 (now available for free).

I was able to process this color image to the tight image of just the leaf and flower

that I originally envisioned.

I think the preset underexposes the image a great deal so only the very light areas show.

By altering some of the color filters (blue) I was able to isolate the bloom and leaf

even more. Strong vignetting may also be a part of the preset in order to bring attention

to the center of the image.

I did not expect that a preset for black and white processing

could so radically change this image.

I can still be surprised!

Love that.

This plug-in collection is powerful and empowering.

You don't have to settle for just clicking on a preset,

and letting the software determine your image's destiny.

You can further adjust your image globally, or selectively.

You can tease apart what elements changed the image the most (exposure, vignette, filter),

and apply these concepts manually to your images in photoshop or lightroom.

Play.

Make it your own.

Make it your vision.

Give your image the destiny it deserves.

Fuji XT1 ISO 200 f/5.6 1/500 sec XF18-55mm (69mm EFL)

choices

There are two primary choices in life: 

to accept conditions as they exist, 

or accept the responsibility for changing them.

~ Denis Waitley

Color or monochrome?

Sometimes the choice is easy.

Sometimes, not so much.

I was feeling a bit monochromatic on this day,
and the black and white image fit my mood better.
But, I also liked the color image.

It was a glorious February day and the color image was a perfect portrayal 

of the day and scene. 

I like monochrome because it accentuates the subject, and reduces the distraction caused by color. 
Some say you can see the soul of the subject when you shoot in black and white.

So, color or monochrome?

I don't believe there is a right or wrong when it comes to image processing...except regarding over sharpening (wrong) or swapping skies (also wrong)...but those things aside, how you process your image is personal.
You were there. You know what you saw and what you felt.
Your image is an echo of that moment.

Let your heart be your guide...it really is the perfect gps!

Remember,

if you save your original image with all the layers intact,

you can easily choose between monochrome and color 

as your mood and creative process dictate at some future date.

For me, I really like both of these images.
Usually I have a clear preference.
What about you, do you like one over the other?

Do you know what's more important than choosing how to process your images?

Yep! Shooting!!

Close down this blog post and go out and make pictures!

Do it now!

Fuji XT1 ISO 200 f/16 1/30 sec XF35mm (23.3mm EFL)

structure

I prefer winter and fall, 

when you feel the bone structure of the landscape - the loneliness of it, 

the dead feeling of winter. 

Something waits beneath it, the whole story doesn't show.

~ Andrew Wyeth

I'm sure you know by now that I like to play with my images - pre capture and post.

I like to play in setting up small vignettes of still life scenes in unconventional ways, adding textures,

turning images upside down, and popping them into black and white.

This time I inverted the black and white so that black became white and vice versa.

Too fun.

I use black to white gradient maps to create my B&W images. There are many ways to turn a color image into B&W, this is one way and it seems to work fine. I create three layers of gradient maps (all black to white) with three different blending modes, Normal, Screen and Multiply. I adjust the opacity in the Screen and Multiply layers as needed and use a soft brush to adjust finer details on their respective layer masks.

For the top most image I did the normal B to W gradient, then I added two W to B gradients.

I was smitten.

I loved how the graphical elements stood out, and the different tones in the water popped.

It totally changed the feel of the image.

The original and B&W images are below...which of the three do you prefer?

I imagine a little goes a long way and I won't be doing this B&W inversion often.

But it was fun to play with it in this image.

This is the home of the Whimsical Pixel! ;)

FujiXT1 ISO 200 f/2.8 1/40 sec  XF35mm (53mm EFL)

the next move

We must be willing to let go of the life we planned 

so as to have the life that is waiting for us.

~ Joseph Campbell

It took me a couple of times visiting this location to get the shot I wanted. It's not an award winning shot to be sure, but it is the best of what I took, and I was really just after the "message". 

It's a lesson I keep learning when photographing.

And rarely do you get a second chance at a subject.

Move. Move. Move before shooting.

Walk around your subject. 

View it high, view it low.

Light in front, side, or backlit.

And in the case of large subjects...find different vantage points for shooting!

This capture was a whim and an after thought. I had already taken my shots from along the edge of the river, and continued on my way. On the walk back, I passed the dock and thought to try to shoot from the vantage point of the dock ramp. I liked the composition of this shot better than the others.

When processed in monochrome, the white boat pops out from the background 

and draws your eye to it and its message. 

Did I get it right? Is your eye drawn to the boat and the message?

Fuji XT1 ISO 400 f/7.1 1/500 XF18-135mm (EFL 83mm) 

peace train

Oh, I've been smiling lately

Dreaming about the world as one

And I believe it could be

Some day it's going to come.

~ Cat Stevens

We saw this train graffiti on our way home the other evening.

We turned the car around, I quickly grabbed my camera 

and ran across a 4 lane highway to capture the shot.

As luck would have it, the train began to move.

I literally fired off one shot, then proceeded to chase after the train...
...shooting all the while.

I lost the race.

But I got this one image.

It just takes one.

I love graffiti. And I especially love graffiti on trains.

Peace out.

Fuji XT1 ISO 3200 f/4.0 1/50 XF18-55mm